Sitemap for Adesignsaudio.com

500-Series

500-Series Pres

500-Series Preamps

503HR 3-Space Rack

About Us

Analog Tools

Artists

ATTY Stereo Attenuator

Audio Articles (view all)

500-Series Preamps for Drums

Built-In vs External Mic Preamps: What’s the Real Difference?

Compressors

Contact

Contact Confirm

Covid

Demo Units

DI Boxes / Attenuators

Distributors International

Distributors USA

Do I need a microphone preamp?

EM-EQ 2

EM-PEQ 500 Series Equalizer

500-Series Pultech EQ

EQ Drum Overheads with EM-PEQ

Equalizers

Albums done on the Quad Eight

Hammer 2 EQ

Mix Buss Sculpting with the Hammer 2

HM2EQ Hammer EQ

Home

KGB-II and KGB-1TF

KGB-II and KGB-1TF D.I.s

Legacy Products

Mix Factory

Mix Factory Charts

More Trade Show Photos

MP-2A

Nail

P1 (500-Series Preamp)

P1 Preamp (500-Series)

Pacifica

Preamps

Privacy Policy

Product Registration

Product Documentation

Products

The Modern Pultec EQs

The Pultec Trick for Low End

Quad Eight Preamps

Recording Bass without an Amp

REDDI

Reddi Instrument D.I.

Tube D.I. Boxes

REDDI V2

Registration Received

Return Policy

Sitemap

Stolen Gear

Support

Terms of Use

Trade Shows

Transformer-based Gear

Tube vs. Solid-State EQ for Mastering

Ventura

Ventura SE

What Does It Mean to “Glue” the Mix Together?

What Makes a Great Mic Preamp?

Where to Buy

Who Used Quad Eight Consoles? The Sound Behind Classic Records

Why a Good Preamp Matters for Your Recordings

Tube Compressors in Modern Mixing