• A-Designs REDDI Tube DI Box | All-Tube Direct Box with Cinemag Transformer Tone

REDDI

One of the most popular D.I. boxes of all time, the all-tube REDDI D.I. is an industry standard.

  • REDDI REDDI  Full Size
  • REDDI REDDI  Full Size
$950.00

Purchase by Phone
***USA ONLY***
(VISA/MC):
(818)-716-4153

Or Find a Dealer
Made in USA
Handmade in the USA
1 Year Warranty
Full Warranty for 1 year
Top Rated Customer Service
Great Customer Service

REDDI ALL TUBE DIRECT BOX

The Finest Tube DI on the Market - Unbelievable Tube Tone

Artists Who Use the REDDI

  • Stanley Clarke (Jazz Fusion Legend)
  • Reggie Hamilton (Stevie Wonder, Whitney Houston)
  • Carlitos del Puerto (Chick Corea, Beyoncé)
  • Ted Perlman (Bob Dylan, Chicago, Elton John)
  • Justin Meldal-Johnsen (Bassist with Beck)
  • Lee Sklar (Phil Collins, James Taylor)
  • Rick Minor (Prince, Janet Jackson)
  • Paul Jackson Jr. (Michael Jackson, Quincy Jones)
  • Eric Jackson (Jay-Z, Mary J. Blige)
  • Jimmy Johnson (James Taylor, Allan Holdsworth)
  • Chris Wolstenholme (Muse)
  • Pino Palladino (The Who, D'Angelo)
  • Tony Levin (Peter Gabriel, King Crimson)
  • Anthony Wellington (Victor Wooten, Paolo Schianchi)

The REDDI (or "RED DI") is an all-tube direct box with Cinemag transformers and was designed with the help of top studio engineers and bass players - the REDDI has been widely praised by engineers and bassists all over the world as the best-sounding Tube D.I. solution on the market today.

Inspired by the glorious sound of the Ampeg B-15 tube bass amp, REDDI's 6N1-P tube-driven amplifier feeds signal directly into a hefty custom output transformer by Cinemag – a key component to providing a harmonically rich tone. Its gain structure has been painstakingly engineered to avoid the slightest compromise in sound quality.

REDDI'S extremely wide frequency range (20Hz to 60kHz) prevents in-band phase shift, resulting in outstanding detail and realism. Another major benefit of its wide bandwidth is the prevention of LF phase shift by maintaining a linear response extending below the audible bass range, insuring a full, natural sound.

REDDI'S distinctive bright red steel chassis sports a front-panel Neutrik XLR/1/4" combo input jack, balanced XLR output, and a 1/4" thru-put, for sending signal to a bass amp – not only useful for live applications, but also for simultaneously recording direct and miked amp tracks in the studio.

A 0-16dB-level control and a bright blue LED power indicator complete the front panel controls. On the back panel are heavy-duty toggle switches for power and ground lift, along with the IEC power outlet.

The REDDI's all-tube circuitry will enhance the character of any electrified instrument run through it – not just bass! Plug the pickup of an acoustic guitar through REDDI to add depth and fullness to its tone. Capture and improve all the richness and life of an electric piano or analog synthesizer. Warm up sterile sounding digital keyboards or drum machines by strapping a REDDI across their output – or two, for stereo!

The number of A-Designs REDDI's in use on stages and studios all over the world is nothing short of staggering. Quite simply, there just is no better sounding way to convert an instrument or line level signal to XLR.

The uses are literally endless... ...but don't just take our word for it. Here are a few comments from some of the people who actually use it:


"The sound of the REDDI all-tube direct box on my bass and guitars is dramatic. When people come in and listen, they just go 'WOW what's that? What did you do to get that sound?' 'It not only delivers on bass and keys, but just out and out kills on acoustic guitars with pickups. It puts something on the sound that makes them jump and be present in the mix without that 'electric-type' sound.'"
- Ted Perlman, Grammy Award-winning producer, engineer, musician (Bob Dylan, Chicago, Elton John, Burt Bacharach).

"Now, the REDDI is my favorite DI and definitely my go-to on bass."
- Dylan Dresdow (Black Eyed Peas), Grammy Award nominee, TEC Award nominee, engineer.

"If it needs to be really clean, then I'll just use the REDDI."
- Viktor Krauss, bassist for Lyle Lovett

"I didn't use an amp at all. I used only the REDDI and it sounded really, really nice."
- Justin Meldal-Johnsen, bassist with Beck

"The New REDDI DI from A Designs kicks ass..."
- Ross Hogarth, Grammy Award-winning producer, engineer, mixer

"I’m still plugged into my REDDIs and have one built into my road rack. Thanks again for making such a great sounding box!"
- Jimmy Johnson, bassist for James Taylor, Allan Holdsworth


The best part – not only does it sound fabulous, look really cool and is built like a tank...REDDI is amazingly affordable! Check one out at your next live gig or recording session – but don't be surprised when you start wanting more than one...

 

Articles about the REDDI:

Explore REDDI Tube DI uses and real-world applications for bass, guitar, and studio recording

Why pros rely on the REDDI tube DI box as the best bass direct box for studio and live use

Recording Bass Without an Amp: Achieving Professional Tone with Direct Input


Only $950.00

What makes the A-Designs REDDI different from other direct boxes?

The A-Designs REDDI is a true all-tube direct box designed to deliver the warmth, depth, and harmonic richness typically associated with classic tube bass amplifiers. Unlike many active or passive DIs, the REDDI uses a high-voltage tube circuit and a custom Cinemag output transformer to produce a full-bodied, musical sound that has become a favorite in professional recording studios worldwide.

Is the REDDI only for bass guitar?

Although the REDDI has earned legendary status for recording electric bass, it is also an outstanding choice for keyboards, synthesizers, acoustic instruments with pickups, electric guitar, drum machines, and many other line-level sources. Engineers often discover new creative applications because of its ability to add warmth and dimension without sacrificing clarity.

Why do recording engineers use the REDDI?

Professional engineers appreciate the REDDI because it consistently delivers mix-ready tracks with minimal processing. Its combination of tube circuitry and custom transformer design adds depth, punch, and harmonic complexity while maintaining excellent transient response. The result is a direct recording that often sounds remarkably close to a miked amplifier.

Does the REDDI replace a bass amplifier?

The REDDI is not intended to replace a bass amplifier on stage. Instead, it provides a premium-quality direct signal for recording studios and live sound applications. Many engineers use the REDDI alongside a bass amplifier, while others record directly into the REDDI to capture a warm, natural bass tone without miking a speaker cabinet.

What tube does the REDDI use?

The REDDI is built around a 6N1-P dual-triode vacuum tube operating at high voltage. This design allows the tube to perform as intended, producing smooth harmonic saturation, excellent headroom, and the musical response that has made the REDDI famous among recording professionals.

Does the REDDI use a Cinemag transformer?

Yes. Every REDDI features a custom-designed Cinemag output transformer that plays a significant role in its signature sound. The transformer contributes to the unit's powerful low-frequency response, smooth high end, and rich harmonic character.

Can I use the REDDI for live performances?

Absolutely. While originally designed for professional recording studios, the REDDI is equally capable in live sound environments where exceptional direct tone is desired. Many touring musicians and front-of-house engineers rely on the REDDI to deliver a consistent, high-quality signal to the mixing console.

Is the REDDI suitable for recording synthesizers and keyboards?

Yes. Synthesizers, electric pianos, organs, and other keyboard instruments benefit from the REDDI's tube circuitry and transformer-coupled output. It can add warmth, depth, and dimension to digital instruments while preserving their detail and dynamic range.

How does the REDDI compare to a passive or active DI?

Passive and solid-state active direct boxes are designed primarily for clean signal conversion. The REDDI takes a different approach by intentionally adding the musical character of a premium tube circuit and custom transformer. Many engineers choose the REDDI when they want their direct recordings to sound larger, warmer, and more three-dimensional.

Why has the REDDI become a studio standard?

For more than two decades, the REDDI has earned the trust of Grammy-winning engineers, producers, and studio musicians because it consistently produces exceptional direct recordings. Its timeless design, premium components, and unmistakable sound have made it one of the most respected tube direct boxes available today.

The A-Designs REDDI was created to solve a problem that recording engineers and bass players had faced for decades: how to capture the warmth, depth, and authority of a great vintage tube bass amplifier without the complexity of miking a speaker cabinet. While direct boxes had long provided clean, reliable signals, many engineers felt they lacked the musical character that made classic bass recordings so memorable. The REDDI was designed to bridge that gap.

Inspired by a Legendary Tube Sound

The inspiration behind the REDDI came from one of the most celebrated bass amplifiers ever built—the classic Ampeg B-15 Portaflex. Revered by generations of recording engineers, the B-15 became the sound of countless legendary bass recordings thanks to its warm tube circuitry, rich harmonic content, and remarkably musical low-frequency response. Rather than attempting to duplicate an amplifier, A-Designs focused on capturing the character that made those recordings so special in a dedicated direct box.

Designed for Professional Recording Studios

From the beginning, the REDDI was engineered for demanding recording environments where tone matters as much as technical performance. By combining a true high-voltage vacuum tube circuit with carefully selected components and a custom Cinemag output transformer, A-Designs created a direct box capable of producing a finished, record-ready sound before additional processing is ever applied.

The Importance of High-Voltage Tube Operation

Many products advertise tube circuitry while operating their tubes at low "starved plate" voltages that produce little of the classic tube behavior engineers expect. The REDDI takes a different approach by operating its tube at proper high voltage, allowing it to deliver generous headroom, smooth harmonic saturation, and the natural dynamic response that has defined great tube equipment for generations.

Custom Cinemag Transformer Design

A significant part of the REDDI's unmistakable sound comes from its custom Cinemag output transformer. Working together with the tube circuitry, the transformer contributes weight, punch, harmonic richness, and exceptional low-frequency extension while preserving clarity throughout the audio spectrum. The result is a direct signal that feels remarkably natural and dimensional.

From Bass Guitar to Studio Staple

Although originally developed with bass guitar in mind, engineers quickly discovered that the REDDI excelled on many other instruments. Electric guitars, synthesizers, keyboards, acoustic instruments with pickups, drum machines, and electric pianos all benefit from its ability to add warmth, depth, and musical character while maintaining excellent detail. Today, it is common to find a REDDI permanently connected in professional studios because of its versatility and consistently outstanding results.

A Modern Recording Classic

More than twenty years after its introduction, the REDDI remains one of the most respected all-tube direct boxes in professional audio. It continues to be chosen by Grammy-winning engineers, producers, and musicians who appreciate its ability to deliver the unmistakable warmth of classic tube equipment while fitting seamlessly into today's recording workflows. Rather than chasing trends, the REDDI has earned its reputation through countless successful sessions and timeless sound.

Although the REDDI earned its reputation as one of the world's finest tube direct boxes for bass guitar, engineers quickly discovered that its musical character extends far beyond bass. Its true high-voltage tube circuit and custom Cinemag transformer add warmth, depth, and harmonic richness to a remarkable variety of instruments, making the REDDI one of the most versatile pieces of equipment in a professional studio.

Electric Bass

The REDDI has become a studio standard for recording electric bass. Whether capturing vintage passive instruments or modern active basses, it delivers the full-bodied tone, tight low end, and harmonic richness that engineers traditionally associate with classic tube bass amplifiers. Many producers find that REDDI tracks require very little EQ to sit naturally in a mix.

Upright Bass

Piezo pickups can sometimes sound thin or overly bright when connected directly to a recording interface. The REDDI helps restore warmth, body, and natural resonance while preserving the dynamic character of acoustic bass performances.

Electric Guitar

Although designed as a direct box, the REDDI produces exceptional results with electric guitar. It can be used to capture pristine DI tracks for later re-amping or to create warm, harmonically rich recordings that blend beautifully with miked amplifiers.

Acoustic Guitar with Pickups

Many acoustic pickup systems benefit from the REDDI's tube circuitry. It softens the harshness often associated with piezo pickups while adding body and a more natural acoustic character.

Synthesizers

Modern synthesizers often produce extremely clean signals that can benefit from additional harmonic complexity. The REDDI adds warmth, dimension, and analog character without masking detail, making digital instruments feel more organic.

Electric Piano and Keyboards

Vintage electric pianos, organs, and modern keyboards all pair beautifully with the REDDI. The tube circuit enhances sustain and harmonic texture while preserving articulation, resulting in recordings that feel larger and more expressive.

Drum Machines and Electronic Instruments

Electronic percussion and programmed drums can sometimes sound sterile when recorded directly. Passing these sources through the REDDI introduces subtle harmonic richness that helps electronic instruments blend more naturally with acoustic recordings.

Recording Direct for Re-Amping

The REDDI is an excellent choice for capturing premium-quality DI tracks before re-amping. Engineers appreciate having a full-range, harmonically rich recording that provides maximum flexibility during mixing while preserving the player's original performance.

Live Performance

Although famous in recording studios, the REDDI has also become a favorite for live performance. Front-of-house engineers appreciate its ability to deliver a consistent, studio-quality signal directly to the console while allowing musicians to maintain their preferred stage setup.

The hallmark of the REDDI is versatility. Once engineers begin experimenting with it, they often discover that it enhances virtually any instrument capable of benefiting from the warmth, depth, and musicality of a true high-voltage tube circuit.

Choosing the right direct box depends on the instrument, the recording environment, and the sound you want to achieve. Every type of direct box has its strengths, and understanding the differences helps musicians and engineers select the best tool for each application. The REDDI was designed to deliver something that conventional direct boxes cannot: the warmth, depth, and harmonic richness of a true high-voltage tube circuit combined with a custom Cinemag transformer.

REDDI vs. Passive Direct Boxes

Passive direct boxes are valued for their simplicity, reliability, and ability to handle high-output instruments without requiring external power. They excel in many live sound applications and are often the first choice for active basses and keyboards. The REDDI, however, takes a different approach by actively shaping the sound with its tube circuitry and transformer, producing a fuller, more dimensional tone that many engineers prefer for critical recording sessions.

REDDI vs. Active Solid-State Direct Boxes

Active solid-state direct boxes typically offer excellent clarity, wide frequency response, and consistent performance. Their goal is often to reproduce the source signal as accurately as possible. The REDDI retains excellent detail while adding subtle harmonic richness, natural compression, and the musical warmth that only a properly designed tube circuit can provide.

REDDI vs. Recording Through a Bass Amplifier

Miking a great bass amplifier remains one of the classic recording techniques, but it also introduces variables such as room acoustics, speaker selection, microphone placement, and volume levels. The REDDI delivers much of the depth and character associated with classic tube bass amplifiers while providing the consistency and convenience of a direct recording path. Many engineers choose to record both a miked amplifier and a REDDI simultaneously for maximum flexibility during mixing.

REDDI vs. Budget Tube Direct Boxes

Many products advertise tube circuitry but operate their tubes at low "starved plate" voltages that limit the tube's contribution to the final sound. The REDDI uses a genuine high-voltage tube design that allows the tube to perform as intended, delivering generous headroom, smooth harmonic saturation, and the musical response that recording engineers have associated with premium tube equipment for decades.

REDDI vs. Audio Interfaces with Instrument Inputs

Modern recording interfaces often include high-quality instrument inputs that are perfectly suitable for many recording tasks. The REDDI complements these interfaces by adding transformer-coupled tube character before the signal ever reaches the converter. The result is a richer, more inspiring performance that often requires less processing during mixing.

One Tool, Many Recording Styles

Rather than attempting to imitate another direct box, the REDDI has established its own reputation through decades of use in professional studios around the world. Whether recording electric bass, upright bass, synthesizers, keyboards, guitars, or other instruments, it consistently produces recordings with exceptional warmth, depth, and musicality that continue to make it one of the industry's most respected tube direct boxes.

Specifications

All-tube direct box with custom output transformer.
Ultra wide frequency range (20Hz-60kHz).
Neutrik input connector, balanced XLR out, and 1/4'' thru jack
Inspired by the Ampeg B-15.
Clean and airy high end, warmth, transparency, and ultra high-quality sound.
Level control.
Ground lift.
Ultra bright blue LED on/off lamp.
Zero-feedback loop design.
Massive, custom-wound transformers.
6N1P tube
Low-Z, transformer-balanced output.
Frequency Response 20Hz - 60kHz
Input impedance: 1M ohm
Gain range: 16dB
Noise (EIN): -126dB
Output impedance: 600 ohm
Maximum level: +22dBu
Distortion THD: > .08 @ 1kHz
Power Requirements: 100/120/230VAC - 42W
Dimensions (W x H x D) 3-1/2 - x 3-1/2 - x 14-1/2
Weight 10 lb. (4.54 kg.)

Videos

REDDI Intro by Peter Montessi
REDDI Intro by Peter Montessi
REDDI Intro by Peter Montessi
REDDI review by Front End Audio
REDDI review by Front End Audio
A Design Audio REDDI and KGB-1tf NYBW
A Design Audio REDDI and KGB-1tf NYBW
La Bella Olinto P Bass A Designs REDDI
La Bella Olinto P Bass A Designs REDDI
OSKAR CARTAYA BAJO MUNDO Teaser
OSKAR CARTAYA BAJO MUNDO Teaser
Fuse and Voltage Change
Fuse and Voltage Change