• ATTY Stereo Attenuator by A-Designs Audio

ATTY Stereo Attenuator

Transparent passive stereo line-level attenuator that brings gain control and flexibility to the studio and stage at a highly-affordable price.

  • ATTY Stereo Attenuator ATTY Stereo Attenuator Full Size
  • ATTY Stereo Attenuator ATTY Stereo Attenuator Full Size
$130.00

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STEREO ATTENUATOR

Pristine Sound - Affordable and Easy to Use

The ATTY (rhymes with “Patty”) is a no-compromise totally transparent passive two-channel line-level attenuator. ATTY’s attractive price point and tiny footprint (4-1/2” x 1-1/2” x 3”) makes it a highly versatile and convenient solution for many applications.  Suitable for use in any world-class recording facility, it can also serve as a cost-effective solution to more than a few problems faced by project studio owners, and is an invaluable addition to just about any live or remote broadcast rig.

ATTY’s interface is simplicity personified. Housed in a rugged metal enclosure, it has two Neutrik XLR/balanced 1/4” combo jacks and two balanced XLR outputs that deliver noise-free operation. A single convenient knob controls both output channels, and a Mute button lets you easily silence your source without having to change a dialed-in level.  

ATTY’s passive design allows it to be used in a plethora of applications, the most common being control of any line-level output device…but wait - there’s more! Say you’re recording kick drum and snare with an API 3124. The input gain is set at the sweet spot…but, due to the API’s hot output, you need a touch of attenuation to protect your converters from clipping, and you don’t want to change sound quality by using its pads or record with compression. ATTY is the answer.  Another useful application is wiring an ATTY in line with a stereo tube preamp (such as the A-Designs MP-2A) and exploring different in/out level combinations without overloading other gear. It’s also a handy device for maintaining level control of powered monitors that have a separate volume control on each speaker. Once you calibrate your monitors to equal levels, you need never touch them again.  

If you find yourself in situations where more than two inputs and outputs require level control, be sure to check out ATTY’s rack mountable big brother, the six-channel ATTY2’D.

Add an ATTY or two to your live or studio setup today.  You won’t believe how much bang you get for your buck.

Only $130.00

Some of the most valuable tools in a recording studio aren't microphone preamps, compressors, or equalizers—they're the simple devices that solve everyday workflow problems without compromising sound quality. The A-Designs ATTY is one of those tools.

Designed as a completely passive stereo line-level attenuator, the ATTY gives engineers precise control over output levels while preserving the original character of the audio. Whether you're preventing converter overload, controlling powered monitors, matching equipment levels, or integrating vintage and modern gear, the ATTY provides transparent attenuation without adding noise, distortion, or coloration.

Compact enough to fit on any desktop and rugged enough for professional studios, live sound, and broadcast environments, the ATTY quickly becomes one of those pieces of equipment you'll wonder how you ever worked without.

Unlike active monitor controllers or line amplifiers, the ATTY introduces no amplification or additional circuitry into the signal path. Its 100% passive design simply reduces signal level while maintaining the integrity of the original audio, making it an ideal solution whenever transparent level control is required.

Because no active electronics are involved, the ATTY contributes virtually no noise, distortion, or tonal coloration of its own. Engineers can preserve the sweet spot of a favorite microphone preamp, maintain optimal gain staging, or protect converters from clipping without changing the sound they've worked so hard to achieve.

For applications where transparency is the highest priority, sometimes the best audio circuit is the one that gets out of the way.

Although the ATTY appears deceptively simple, its applications extend far beyond basic volume control. Many engineers place it between a high-output microphone preamp and their audio interface to prevent converter clipping while continuing to drive the preamp at its optimal operating level. This allows the engineer to capture the desired analog character without sacrificing digital headroom. The product documentation even highlights this exact use case with high-output preamps such as the API 3124.

The ATTY is equally useful as a desktop monitor controller for powered speakers, allowing both speakers to be adjusted with a single precision control instead of constantly reaching behind each monitor. Its dedicated Mute button provides an instant "panic switch" during recording sessions, troubleshooting, or unexpected feedback.

Additional applications include balancing line-level equipment, controlling playback systems, feeding powered speakers, integrating broadcast equipment, remote recording rigs, and protecting downstream equipment from unexpectedly high output levels. Because it's completely passive, the ATTY adapts easily to countless professional audio workflows without introducing complexity.

What is a line-level attenuator?

A line-level attenuator reduces the level of an audio signal without amplifying or otherwise processing it. Unlike a compressor or limiter, it simply lowers the signal level while preserving the original sound, making it ideal for proper gain staging between professional audio devices.

Why would I use an attenuator instead of turning down my microphone preamp?

Many microphone preamps have a particular operating range—or "sweet spot"—where they deliver their most desirable tone and harmonic character. By placing the ATTY after the preamp, engineers can maintain that preferred sound while reducing the output level before it reaches converters or other equipment that might otherwise overload.

Can the ATTY be used as a monitor controller?

Absolutely. The ATTY is an excellent passive desktop monitor controller for powered studio monitors. Its single stereo volume control makes it easy to adjust both speakers together, while the dedicated Mute button provides instant silence whenever needed. :contentReference[oaicite:4]{index=4}

Does the passive design affect sound quality?

No. One of the biggest advantages of the ATTY is its completely passive signal path. Because it adds no active amplification or processing, it introduces virtually no noise or coloration, allowing the original audio signal to pass through transparently. :contentReference[oaicite:5]{index=5}

Can the ATTY help prevent digital clipping?

Yes. One of the ATTY's most common studio applications is reducing the output level of hot microphone preamps before they reach an audio interface or converter. This helps prevent digital clipping while allowing the preamp itself to operate in its optimal gain range. :contentReference[oaicite:6]{index=6}

Is the ATTY only useful in recording studios?

Not at all. The ATTY is equally valuable in live sound, broadcast, podcast production, remote recording, installed audio systems, and anywhere transparent line-level control is needed. Its compact size, rugged construction, and balanced connections make it a practical solution in virtually any professional audio environment.

What types of equipment can be connected to the ATTY?

The ATTY is designed for balanced line-level signals and can be used with microphone preamps, audio interfaces, DACs, monitor controllers, powered speakers, mixers, outboard processors, playback systems, and other professional audio equipment that requires transparent level control.

Specifications

100% passive line attenuator.
Does not color or negatively affect sound quality.
Convenient, one-knob stereo level control.
Transparent, noise-free level control for any line-level source.
Desktop powered monitor control.
Super handy Mute/Panic button prevents speaker-damaging thumps or feedback.
Prevent digital overs caused by high-output preamps.
Control output levels while maintaining high-gain input signal.
Compact size fits easily in small spaces.
Two balanced Neutrik XLR/TRS combo jacks.
Two balanced XLR outputs.
Rugged metal casing.
Dimensions (W/H/D): 4-1/2'' x 1-1/2'' x 3''.
Weight: 0.7 lbs.

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